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Canadian Country Music Hall of Fame Guitar

Not available for use in Recording Studios
Not currently on exhibit
Not currently on exhibit
Artifact TypeGuitar, Acoustic
Manufacturer LocationJapan, Asia
Date20th Century

This was one of the top-selling items in the Canadian Country Music Hall of Fame’s first annual celebrity auction. The guitar was donated by Yamaha to help with the hall’s fundraising efforts and presented at the September 1999 Canadian Country Music Awards show. It was signed by a who’s who of Canadian music legends, including Randy Bachman, Brad Johner, Beverley Mahood, Paul Brandt, Lisa Brokop, Ronnie Prophet, Stephanie Beaumont, Julian Austin, Terri Clark and Michelle Wright, Russell De Carle, Wayne Rostad, Jim Witter, John Allen, Jamie Warren, Keith Glass, Dwayne Steele, Rick Tippi, Jason McCoy, Gil Grand, Shirley Myers, The Wilkinsons, and Danny Hooper.


Operation/FunctionThis particular artifact is an example of a steel-string, flat-top acoustic guitar. It consists of a hollow wooden body, which is itself comprised of a soundboard, box, and sound hole for amplification, as well as six steel strings and accompanying machine heads and metal fingerboard. This instrument employs standard tuning, with open string pitches beginning at the bottom with the highest pitch, the E a major third above middle C, and moving downwards in pitch by a fourth to B, downwards by a major third to G, downwards by a fourth to D, downwards by a fourth to A, and downwards by a fourth to E, spanning two octaves in total. The instrument is referred to as being ‘standard-handed’, meaning it is to be strummed with the right hand while the left hand controls the frets.Cultural SignificanceThe cultural significance of both the acoustic and electric guitar cannot be overstated. Gibson remains at the forefront of guitar manufacture as one of the leading companies. Although the acoustic guitar is perhaps not used quite as commonly as the electric guitar, both have remained throughout the course of the twentieth century one of, if not the most, exploited instruments in popular music. The steel-stringed flat-top has served as the most popular form of acoustic guitar, with its usage spanning a multitude of genres.Technological SignificanceBoth acoustic and electric guitars have undergone a number of technological advances that have improved their tone and construction quality, however it is the mere advent of the latter that has had the most lasting technological impact. Les Paul (1915 – 2009) helped pioneer both the design and popularity of the electric guitar, and is considered one of the founders of solid-body technology, having produced a prototype called “The Log” in 1940. Additionally, Paul also conducted a number of experiments in guitar design and recording technology, essentially establishing the revolutionary practices of multi-track recording and overdubbing, as well as delay and phasing effects. Fender was the first company to produce a commercial solid-body electric guitar in 1950 with the release of the Telecaster, and Gibson responded in 1952 with the Les Paul, named in recognition of the fact that Paul helped design the instrument with Gibson’s president of the time, Ted McCarty. Gibson also produced the first commercial humbucker pickup, designed in 1955 and patented in 1959, which eliminated the hum of single-coil pickups without compromising the tone quality. Although the acoustic guitar is not recognized as having made as significant a contribution in instrument technology, it has seen many important changes throughout its history. The instrument finds it origins in the lute, which featured a varying number of gut strings and was most popular throughout the Renaissance, and the Baroque guitar, which featured five sets or courses of gut strings and eclipsed the popularity of the lute in the early eighteenth century. The majority of usage of such instruments took place in Europe, however a number of variants of these instruments, such as the Middle Eastern oud, were equally as prevalent. The modern guitar shares the same basic construction approach as its predecessors, consisting of a curved wooden sound box and soundboard, designed to optimize amplification and tone quality, as well as a neck and fretboard across which a series of tuned strings are strung. Although performance techniques and tuning systems have been considerably adapted over the years, the same basic approach of plucking or strumming with one hand and coordinating frets with the other has also been maintained. The modern acoustic guitar was pioneered by the American C.F. Martin & Company, which was founded in 1833 by the German craftsman Christian Frederick Martin. Martin established the body shape and size still used in modern acoustic guitars, which employed a larger lower bout, smaller upper bout, and deeper box than its Classical predecessors so as to produce a louder volume and accentuate bass frequencies. Martin’s design was known as the “dreadnought”, and quickly became the most common body style on account of its ability to project the guitar above other instruments in an ensemble. Martin was also pivotal in introducing steel strings to replace the nylon strings used in Classical guitars. Steel strings significantly altered the structural requirements of the instrument and, along with Martin’s inclusion of a series of bracing pieces in the box and the truss rod in the headstock, further enhanced the tone quality and volume.Users/PerformersThis particular guitar is not known to have been used in any recordings or live contexts by musicians. While at the CCMA awards show in September 1999, it was signed by various Canadian country musicians including Russell De Carle, Wayne Rostad, Randy Bachman, Brad Johner, Jim Witter, Beverly Mahood, John Allen, Jamie Warren, Paul Brandt, Lisa Brokop, Ronnie Prophet, Keith Glass, Dwayne Steele, Rick Tippi, Jason McCoy, Gil Grand, Shirley Myers, Stephanie Beaumont, Julian Austin, Terri Clark, The Wilkinsons, Michelle Wright, and Danny Hooper.
Object numberT.2016.14.01
Photo credit: Don Kennedy
Yamaha Corporation/Nippon Gakki Company Limited
1987
Not available for use in Recording Studios
On View: On exhibit
isVirtual:
Photo credit: Don Kennedy
Ovation Guitar Company
20th Century
Not available for use in Recording Studios
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
c. 2010
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
Gibson Guitar Corporation
1959
Not available for use in Recording Studios
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
2011
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
Yamaha Corporation
c. 2000
Available for use in Recording Studios
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
Delta Music Research Limited
c. 1980
Available for use in Recording Studios
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
Elizabeth Wyn Wood
2003
On View: Not currently on exhibit
isVirtual:
Photo credit: Meghan MacKrous, courtesy of the National Music Centre
2004
Not available for use in Recording Studios
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
c. 1980
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
Gibson Guitar Corporation
Not available for use in Recording Studios
On View: Not currently on exhibit
isVirtual:
Photo credit: Don Kennedy
Donald Buchla
c. 1966
Not available for use in Recording Studios
On View: On exhibit
isVirtual:
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